读麦·讲演·人与媒介（1979）·002

The Newfie stories happen to be our kind of bundle at the moment, but the same is true in any other language. These jokes do, or try to, cross borders and move from one area to another. Jokes are themselves a very important form of communication, and they reflect certain grievances and irritations which everyone feels.

目前，纽芬兰的趣闻正好成为我们的一种包袱，在任何其他语言中也肯定如此。这些笑话，确实或试图跨越国境，从一个地区转移到另一个。笑话本身就是一种非常重要的交流方式，它们反映了某些人人都能感受到的不满和烦恼。

按：笑话是一种重要的交流方式。

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页面更新：2024-05-21

标签：纽芬兰国境讲演趣闻媒介包袱确实烦恼语言方式地区笑话

表里需如一

人们在许多事情的处理时，表面现象和实际问题往往相差甚远，嘴里所说的和行动上做的也根本不一样，甚至大相径庭、完全迥异。比如那些好谈山居生活之乐的人，未必真正懂得山林之乐趣；口头上厌恶名利的人，未必能够真正淡泊名利，忘

读麦·讲演·人与媒介（1979）·004

You cannot have a joke without a grievance. The fast pace in our world has led to the development of the one-liner, the abbreviated joke. The one-liner is for people of very short attention span, who

地球，沙粒而已

对于人类来说，地球是家，这个家很大，可对于宇宙来说，地球，如同一粒沙。旅行者一号在完成主要任务后，1990年2月14日，在距离地球64亿公里的地方，朝着太阳系内侧拍摄了一组照片，然后将这些照片组合成了一张太阳系的全家福。其中，有

拍错的马屁

晋元帝时，皇上生了一位皇子，十分高兴，准备了许多的礼物，普赐群臣，彰显喜庆。众位大臣得了礼物，也很高兴，唯独朝臣殷羡上前磕头感谢说：“皇子诞生，普天同庆。但臣没有一点功勋，却蒙皇上厚赐，深觉惭愧！”皇帝听了，不禁大笑起来说：“这

小时了了，大未必佳

花开早的便一定早落，花开晚的也一定晚落。而且过早开放的花朵，一旦凋谢，往往谢得最快，这是因为过早开放，各个方面都尚未完备，无法配合，自然很快便因耗尽能量而凋谢枯萎。对于人来说，也是如此，如果过早开发成熟，而生理和心理等各

请你好好爱自己

欧阳老师很疲惫的坐在我面前，问她为什么一大早就这么无精打采的？她叹了口气：“昨晚我们学院有个女生跳楼了”。我大吃一惊：“为什么呀，人现在怎么样了”？ “没了，她从楼顶跳下来的，当场就没了”，欧阳惋惜的说：“昨晚凌晨院里

人间繁花似锦，自你离去，叶落花枯，再无锦绣

他走后，她夜夜无法入眠，听着《熟悉的街》一个人缩在角落里痛哭。他病后，她就失去了味觉，感觉不到冷暖，感觉不到饥饿，感觉不到疲惫，一个月的时间瘦到脱形而不自知。从何时，爱上他，她也不知道，只是，当他一句话都没留下，走的那么彻

读麦·讲演·人与媒介（1979）·导言

This came in spring 1979, in his last taped lecture, titled “Man and Media, ” which he delivered at York University in Toronto.1979年春，麦克卢汉为多伦多市的约克大学作了一场题为“人与媒介”的录音讲演，

读麦·讲演·人与媒介（1979）·006

However, the dropout is the figure of our times. He is the person who is trying to get in touch. When you get uptight you have to let go in order to get back in touch. “To get in touch” is a strang

读麦·讲演·人与媒介（1979）·001

You cannot translate jokes into another language. Now the reason, I think, is that a joke really requires a hidden ground of grievance, for which the joke is only a figure sitting out front.你不能把笑

读麦·讲演·人与媒介（1979）·023

In the electric age the alteration of human identity by new service environments of information have left whole populations without personal or community values to a degree that far exceeds the effec

读麦·讲演·人与媒介（1979）·027

Instant replay enhances awareness of the cognitive process. It obsolesces the representational, the chronological, in that it doesn’t matter in what sequence the events occurred. It retrieves meanin

读麦·讲演·人与媒介（1979）·014

The Fourth World is the electric world that goes around the First, Second, and Third worlds. The First World is the industrial world of the nineteenth century. The Second World is Russian socialism.

读麦·讲演·人与媒介（1979）·018

Edgar Allan Poe’s story “A Descent into the Maelstrom” had tremendous influence on the nineteenth-century poets and symbolists like Baudelaire, Flaubert, and others. In this story, Poe imagines the

读麦·讲演·人与媒介（1979）·024

I am going to introduce a new survival approach in my forthcoming book on Laws of the Media and I hope that readers will offer many improvements to this method. In the meantime, I suggest that it is

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